Friday, 17 February 2017

Connecting Essays

                                                               Simon Wheatley-

The backdrop of the park field cannot be seen as it is pitch black, the darkness serves as a good backdrop, I used flash this illuminates the one and only subject, making him appear striking against the dark background. Due to this it also emphasises the leading outline of the subject, arms and height etc. In this image he has a deadpan expression looking straight into the camera. For many young people, smoking cigarettes is just viewed as a passtime in which one can catch up with their friends and socialise. It is evident in this image there is no camaraderie of trying to impress people, he is just alone in the shot but with people behind the scene; a few friends who smoke because they enjoy it.


In this shot taken by Simon Wheatley, it is of two youths at a bus stop, smoking what looks to be a joint, the boy on the left in the nike hoody and jeans, has his arms crossed, hood up leaning against the bus shelter as though he's about to fall asleep, we infer from the image that he is asleep due to the effects of the drug. The other boy in the leather jacket and jeans is trying to pass the other boy the joint and encouraging him to carry on. The image connotes the stereotypes of young people often depicted as chavs, due to how public a place they're smoking and their clothing etc, it therefore connotes teenage rebellion.


The similiarities that both mine and Simon Wheatley's shots share is multiple teenagers smoking in both public places outside and in both images the boys are gesturing one another in different ways. Both shots capture the feeling of smoking being a very uniting thing in teenagers, they look out for each other and encourage one another, both capture very a-typical teenagers, in the second photo the teenagers appear antisocial and rebellious however. I and Simon Wheatley's approach to taking images on smoking culture in youth shares common themes such as, in both images they are candid documentary pieces, it is evident that in both shots we have not instructed our subjects to behave in a certain way but they have behaved as thought the camera is not even there adding to the authenticity of the controversial shoot.

                                                                  Nikki S Lee-

This image has been taken from shoot 10. It is of me and the singer and lead guitarist of a band I play in called The Revolt, we are standing on Camden high road with the Camden town bridge behind us, the lights are all on in the distance because of how late and dark it was. The concept behind the image was to get an image before my band were due to play later that night, in a location that had a typical part of Camden that the photo would show, and in this image it is the bridge that shows off the cultural significance of the location. We are all in our outfits for tonight with shirts and ties underneath our parkas or crossovers, reminiscent of the style and sub-culture of our band, since it is a Mod/Britpop band, and since we are also in Camden which is culturally strong place for mod subculture also.



In Nikki S Lee's image she is posing with two black men, she is dressed like them with a top that is has American iconography on, and is posing with a swagger as though she is from where they're from and she knows them. The shot connotes a hip-hop vibe, the men are wearing showy clothes and look as though they could be rappers, the location of the shot doesn't give much away but in the context of the image it could be taken in the 'hood' where hip-hop culture for African Americans is massive. The shot is essentially her fitting in to different societies and subcultures.

  

The first obvious thing is the fact that Lee asks passers by to take an image of her in these environments with a camera, this was a thing I did influenced by her, however I generally got my dad to take the pictures. Also both images are posed with a backdrop of some significance showing context to the image. The way in which Lee poses with subjects, in clothes and certain locations that portray a certain subculture, in my image it is not an art project but is a true reflection of me and my friends as we all wear the clothes seen in the shot regularly and genuinely play in a band, enjoy the mod subculture and regularly go to Camden, but is closely linked due to how candidly Lee portrays a cultural scene.

                                                                Martin Parr-

This image is taken from my first shoot, spanning over a visit to Norfolk. This image is of my sister, my dad and the main focus is on my grandma, we are all sitting round a table eating cockles, a typical British seafood, at Blakeney point, the belt of blue ocean is visible in the distance, the image is reminiscent of British culture, spending pass-time with your family by the sea, it's timelessly traditional, and typically British, this is evident in the fact that all ages from my little sister to my grandma are eating the seafood enjoying the atmosphere by the coast.


This image is of a old couple, a baby in a pram which is probably their grandchild, with more people in the background, they are sitting at a shelter that are normally positioned with the view out to the sea, a bin overflowing with rubbish. They are eating fish and chips with the view of the sea,this connotes family holidays in British summer time, enjoying the ambiance of the coast, eating a traditionally British dish. The shot is very bright and almost surreal as the colours are quite mute and un-striking, it looks as though the image has been taken with a flash.


Both images have quite a lot in similar, both are taken by the sea with grandparents as subjects eating traditional dishes. Both images seem to connote the same feeling, of a very British pass time of enjoying the atmosphere by the sea, sharing it with family, eating fish and chips by the sea side. Martin Parr was a massive influence in taking the series of pictures for my first shoot, as it really made me consider how British culture is ageless and timeless in a sense where all ages within the family for example get together and enjoy British traditions.


                                                              Frank Habicht-


This shot is taken from my fourth shoot on teens in London smoking, drinking, socialising. This image is of two people I met on a night out. The subject on the right is holding a cigarette with his other hand in the air striking a pose, the other boy on the left is tilting his head looking into the camera, the image is jovial and fun. The shot connotes teenage fun, it is by no means a serious image but shows what teenagers get up to under the influence of alcohol out in the city having a goof time with friends socialising, The cigarette connotes typical British culture, as it is seen as almost a tradiiton in the UK to smoke and also connects to the teenage rebellion. The portrait shows off alternative fashion and culture in Britain, as the two teenagers are not a-typical of what most British teenagers where and so shows this in what they get up to within the image, it's emphasised in their carefree fun attitude in the shot.



This image is of two 'rockers' in the 70's, a youth subculture of motorcyclists. Their clothing, such as the leather jackets connotes their subculture, both subjects are on motorcycles, the man is smiling at the picture being taken, and the woman is posing with a cigarette hanging out her mouth. The image connotes youth subculture in Britain, being proud of your personal identity, dressing how you want to dress and acting how you want to act. The main subject being the woman is heavily made up and looks iconic of the times, the portrait frame of the shot helps create depth of field including the motorcycle and the man in the background further adding context to the image and the symbolism of British culture.


Both images depict two subjects with each one having one of the two subjects smoking a cigarette. They also depict youth culture in Britain, with different emerging subcultures, rockers and indie/alternative, they are both portrait shots, just by taking pictures of people doing what they're doing, the way they're dressed says so much about them as people and their relation to British culture. Of course one of the main factors of the shots is the element of smoking, it is a massive part of British culture, shows the rebellious nature of youth, the romanticism of smoking, the connections that it has to identity, overall these images just reveal a lot about British culture.

                                                       Henri-Cartier Bresson-

This is an image taken from shoot 2, where I went to Camden town for the day, to photograph British culture. The image is along the lock, there are multiple subjects standing and walking different ways, one woman is walking towards me, another is drawing with chalk along the wooden board/fence whilst staring into the camera, others are standing having conversations by the path and next to the lock and others are walking away on the path. Cranes are visible in the background, a willow tree, some grafitti and a barge boat. The interesting part of the image is how many different parts to the image there is, among some of my favourite; the landscape, the contrast between the industrial side and the scenic typically British parts such as the canal, boat and Willow tree. The woman doing grafitti connotes youth culture in Britain, as well as the location of Camden and how it connects to British culture. 



In this image, Bresson captures a family eating lunch by the river Seine in paris. There is lots of different things going on in this picture, one of the men is pouring a glass of wine, the other two women and man are watching a fishing boat going past on the river whilst eating their lunch. The image is interesting as there is no particular main subject, therefore there is lots of different components that your eyes are drawn to. The shot connotes a very typical french scene in Parisian lifestyle, because in France they value lunch and view it as an important part of their lifestyle.





The similarities that my picture and Bresson's has is that both shots have multiple different parts, there are lots of details be seen, both are in black and white due to the tonal depth of my image I chose black and white, whereas Bresson's is that color due to the film camera. Also both images captured the essence of their countries cultural roots, Breton's is more a typical french traditional living, and mine shows a wide dynamic range of different culture sand people enjoying the same place, which is very culturally rich. 

Physical Experiments

Here is a physical experiment I have made from my last shoot, a series of images taken in Camden where my band played a gig.



This shot is of me and two of my friends who play in my band, I decided to cut us out of the back drop which had camden town bridge. I thought since we're the main subjects it would be effective to put all attention on us against a white back drop, emphasising our clothing, ultimately the subculture that we represent in out stature and clothing, against the blank backdrop we look almost invincible and our friendship is evident within in the physical experiment. Furthermore, I decided flick paint on to our cut-outs and the white backdrop, I thought the image needed it due to how bare and stripped back it is, the odour just adds a little aesthetic edge to the image. I chose to flick; green, yellow, blue and pink as I thought they were quite fun colours against our clothing and the white page. 

Despite the fact that I am fairly happy with the outcome, I think the experiment struggles to have any deeper meaning or contribution to the original image, due to the nature of my documentary photography, I don't think that physical experiments suit my project and style of shooting. 


Electronic Final Pieces

Final Evaluation

Over all 10 shoots I feel there was a main theme after the first few shoots that started to emerge, and that was generally the theme of youth culture in Britain. 

Shoot 1-

In my first shoot, I wanted to depict a quintessentially British scene in Norfolk, where my family are from, with some of the pictures having my Grandma and Grandad as subjects, therefore age didn't play apart in showing British culture, if anything I wanted to show that British culture is a timeless thing, that ranges through all the era's. This was very much inspired my Martin Parr's series he shoots by the seaside, showing the timeless traditions that Brits partake in on the coast.

Shoot 2-

In my second shoot, I decided to go to Camden town, to shoot another set of images for British culture, despite it being obviously a documentary shoot it's also a good example of location portraiture, in a place that I regularly go to and represents my cultural links due to music and fashion etc, therefore by even going to take images in this culturally diverse place, my series was already starting to become more about me and more representative of my tastes and therefore my age is going to create a series more comprised of youth culture. So this set me on a path for my shoots to become more based around things of my age.

Shoot 3/4-

Shoot 3, definitely set the tone for my subjective interest within British subcultures, since this was a band that I had payed money to go and watch live, I was there out of choice, and so after the result of the of seeing my images, and getting a few good images representative of going to see a live band. For shoot 3 I was very much inspired by Derek Ridgers in his live band images as they're really effective in catching the atmosphere of the moment, I tried to incorporate the same spirit into my images. I decided I wanted to repeat the theme of shooting live music and bands. Both shoot 3 and shoot 4 were captured in the same night, I got to the gig expecting to just take images of the band that were going to be playing but instead I found a group of teenagers about my age, and started socialising due to mutual interests and ended up spending the majority of the night with them. I decided to divide 3 and 4 in to separate shoots because I thought that despite the fact they were linked for obvious reasons, I had so many images and both shoots were so different, shoot 4 really captured teenage socialising, drinking, smoking, partying, enjoying free time in the cultural landscape of London, and shoot 3 was purely of going to see live music. I came to the conclusion that shoot 4 was something I wanted to explore again; the teenage recreational drug taking was a similar topic that I wanted to explore. Shoot 4 was inspired also inspired by Ridgers, as his portraiture is so raw and gritty, depicting subcultures of teens often smoking and posing.

Shoot 5-

Shoot five, was a series of images that I wanted to focus on the mod subculture, this was inspired by the fact that a few of my friends are mods, I play in a mod/britpop band with them, and in terms of influence from other series that I have shot, shoot 4 showed me the importance of shooting people your own age, as it generally reflects your view of what British culture is all about and also shoot 2, as Camden is deep rooted in mod subculture. I was more pleased with the outcome of shoot five than I thought I'd be, for example on the spur of the moment I told Jack to play his guitar; this then linked back to shoot 3 and the art of performing music, and so more links across my shoots were created, making for a strong sense of music and youth subculture, these were definitely the two themes that worked well and were the most effective throughout all my shoots and therefore I wanted to develop more shoots on music and youth in Britain. Gavin Watson was big influence for my shoot on mod culture, as In watson's photography the importance of simple portraiture and what it can say about a person, for example Watson will shoot a skinhead in a setting that he is familiar in, then picture will say everything one needs to know about his subculture and cultural vision. I decided to use this idea, and have shot's of jack wearing his best clothes in his habitat, playing guitar, I think it managed to translate all his interests and cultural connections, with the mod youth subculture. 

Shoot 6-

Shoot number six was inspired by shoot 4 in which I took images of youth my own age smoking, drinking, socialising outside on Hoxton square in London. For shoot 6 I wanted to take the theme of youths being outside getting drunk, socialising and show it  through the theme of smoking cigarettes, I thought this would be an important thing to take pictures of since, not only in youth culture, but British culture, smoking is the most commonly used legal drug in the country. I was happy with the outcome of the images, I didn't want to demonize tobacco or encourage the use of it, but wanted to create a non-biased set of images on smoking by a group of people my age. I thought the shoot fit well in terms of theme against my series and worked well in a cohesive set of shoots. I was heavily influenced by Simon Wheatley's style and concept matter of photography, as he shot a series on urban youth life in London, smoking, socializing, being teenagers, I wanted to take with me the raw documentary style and concept matter and translate it into my photography. 

Shoot 7-

In this shoot I wanted to continue the theme of music, used in other shoots such as number 3 and 5, as I thought that they were effective shoots and that I still had more to explore within British music subculture. Therefore one band practice I decided to take pictures of all the band playing their instruments, practicing for an upcoming gig we had booked. I think the shoot is overall successful in showing band culture in British youth.

Shoot 8-

For shoot eight, I decided to focus on transport in the location of London, I wanted to make a series of images from the nation rail, on to the London underground and the London Buses. My idea behind the shoot was just to show the important role that British transport serves in the everyday lives of the people, serving as a massive part of culture and heritage in the UK. I think I managed to achieve the chaos of London and the role that public transport serves in everyday life, I did this in a documentary style manner. This was a follow on of location from other shoots, as I have shot multiple others in London.

Shoot 9-

In shoot 9, I wanted to focus on my local town, how the shops and surrounding landscape reveals British culture, in terms of heritage and tradition. So I focused on my local high street, with the pub, off licence, chippy, betting shop to show the very a-typical Britishness that we take for granted and don't even notice, that is quite traditional. Despite the fact that this shoot has strayed from youth, sub-culture and music, I think this is still a really successful shoot. I attempted to show how very mundane, ordinary things about British towns, connote deeper significance in overall British culture. In terms of subject matter, for example I took pictures of trains and in terms of the ordinary values of this shoot, it relates to shoot 1 and 8.

Shoot 10-

For shoot ten, I wanted to make a shoot that was composed of multiple elements from my previous shoots. Some of the themes that link to the previous shoots are; the location (in shoot 2 I shot in Camden), the theme of music (in shoots 3, 5, 7), and the mod subculture (shot in 5). The idea behind the shoot  arose when my band were asked to perform at Hawley Arms in Camden, and so I though this would be the perfect opportunity to photograph the experience for shoot 10, as it is a build up of all the different themes of the series so far being different examples of youth culture and music. I knew that for the majority of the shoot I'd be unable to photograph as I'd be playing on stage, and so after studying Nikki S Lee and her technique of portraying a subculture and getting a stranger to photograph her, I wanted to use this technique, I found it was really effective in showing a scope into my world of performing with my band, for the rest of the shoot IE walking round Camden and for the rest of the time we weren't performing, I would always photograph, therefore the shoot has a good mix.

Summary/ Recap over shoots and Project proposal-

Overall I feel as though I have developed my series on British culture and learnt what worked well in the shoots. I believe I made an effective and cohesive body of work, the theme of British culture developed more into Youth culture and music within Britain, however I do think that that was purely due to the reflection on my age, and therefore my subjects were the same age as me generally, because all my shoots are not entirely about youth, and more broadly British sub-cultures, so to conclude my original project proposal to shoot British culture has been successfully achieved. For my project Proposal, I stated that I wanted to shoot in documentary style photography on British culture, I also said how I would love to experiment with film and black and white photography, which I haven't done as I haven't had the access to the sort of resources. Also, I  stated that I would wanted to focus on portraiture as a method for illustrating British culture, I have fulfilled this in shoots like; 1, 4, 5, 6, 7. All the shoots that I use the means of portraiture to show British culture, they are not overtly portrait works but are generally documentary portrait style. In choosing my Portfolio, I purely chose my favourite images from each series, which ones most successfully portrayed British culture in single few images, I wanted to include images from every shoot as I thought it was important to show the development and improvement.

Thursday, 16 February 2017

Computer Experiments

Noise-





                                                                  Iris Blur-





                                                                                 Wave-





                                                                                  Solarize-





                                                                                  Tiles-





                                                                                   Lens Flair-






                                                                          Wave-





                                                                        Invert-




    
                                                                           Fragment-






                                                                                Crystalize-