Tuesday, 13 September 2016

Critical and Contextual Analysis

What is fine art photography?

Fine art photography is photography created in accordance with the vision of the artist as photographer. It is a visual art whose products are to be appreciated primarily or solely for their imaginative, aesthetic, or intellectual content.

What is Documentary Photography?

Documentary photography usually refers to a popular form of photography used to chronicle events or environments both significant and relevant to history and historical events as well as everyday life.

How is commercial Photography different from Documentary and Fine Art Photography?

Commercial is generally made to entertain the masses and has certain criteria or guidelines to fulfill a set idea for example if it is in a certain magazine it needs to be tame and clear, whereas the other two types of Photography have no limitations they are both artistic vision, whereas commercial is taken as a career to earn money, whereas the other two are not necessarily jobs.


“anyone with a brain knows that it is the quirkiness and imperfection in a person that attracts other people” nick Knight 



This image was taken in 1939 by the Jewish photographer Mendel Grossman, he entered in to the Lodz ghetto in Poland in 39, he was moved with a large amount of family (parents, 2 sisters, brother-in-law, nephew). Grossman was originally shot landscape- photography of flowers, clouds and still life, but when he went to Lodz ghetto he found his mission to photograph the persecution of Jewish people. 

The punctum of the image is the armband that the young boy is wearing it represents that the young boy has a certain level of authority, you don't expect to see someone so young being given a role to carry out and a certain responsibility, it totally shifts the whole meaning and dynamic of the piece as we wonder what the little boys role is, the connotations of his uniform are that he is a young Jewish officer employed by Nazis to enforce rules on his own people.

By the look of the young boys face with the uniform, he doesn't appear to take the situation seriously, the image connotes key themes such as innocence, evil, the question of what age really means and what maturity is, but the little boy's face seems to mock all of the absurdities of the ghetto. However on the other hand the image shows a lot of innocence as despite the job the young boy has been entrusted with, he doesn't seem to take it seriously but because the difference in clothes that they're wearing, they could be playing games and doing role play cops and robbers to escape all the horror and mess that the adults have created. 

The image is bleak and black and white, because of the time that it was taken it would've also been film, the whole composition of the shot is bleak, the dark drab clothes the boys are wearing, the jagged shapes of industrial looking buildings within the ghetto. The chimney which symbolizes the mass persecution of the Jews as when the Jews were murdered they would be cremated, this is a very powerful image with so many different elements, There is also a few sparse branches symbolizing death of nature and innocence. 

The studium of the image is interesting as you can clearly see that Grossman has told them to stand in that manner and for the young boy in the uniform to look at the camera, overall the composition of the image is very good as, there are lots of different shapes and subjects and leading lines. The tonality of the shot is very good as there is a lot of contrast, there are many shades ranging from white to black, and all depths of tone in between.

The way that Grossman was able to take these pictures and get them developed was by the fact he would hide his camera in his coat, despite the fact that he had to keep it a secret, the shot above is very clear, has a good frame and looks like he has taken his time to take it, he also had a secret darkroom in his flat, meaning he was able to develop his photography. This therefore shows that he was willing to die to show or at least try to show the world some of the atrocities of the holocaust through his photography.

Grossman illustrates that documentary photography is a definite tool, it is a type of photography that can be creative as well as realistic capturing human life and history.

















Thursday, 8 September 2016

Analysing Images

Connotation: an idea or feeling which a word invokes for a person in addition to its literal or primary meaning.

Denotation: the literal or primary meaning of a word, in contrast to the feelings or ideas that the word suggests.

Studium: broad sense of what the image, aesthetics, how it was posed.

Punctum: an idea, emotion, physical action, small detail off form what you would naturally expect, the thing that makes the photo.

Tuesday, 6 September 2016

Location Portraiture Work Diary

In my shoot for location portraiture I used the following camera settings; 1/125 F5.6 ISO 200, I find these are the perfect settings needed for portraiture, I also used a tripod as to stabilise my shots. I shot around the local town, the shoot went well, however there are a few components that I would like to change and experiment with next time to reap different results; that I have written about below.

Favourite-

In this Image I love the contrast in colour and tones, what the subject is wearing contrasts strongly against the dark bleak wall, all the colours that the subject is wearing are in blocks of black and white, this looks amazing against the dark green, grey wall. The backdrop and subject are both in focus, this gives a really interesting urban effect encompassing both two components however it may have looked more effective with Jasmine standing further away from the wall with the backdrop out of focus, focusing on the subject alone. I love the clarity and frame of the image, as the whole shot is strangely bright due to the ISO, therefore is very clear and the frame shows a a good section of the wall and a few leading lines. In improving this image I think that I could've asked my subject to stand away from the wall in order to add depth of field, by making only the subject in focus, this would've helped even more so if I had used manual focus to separate the subject and the backdrop, I think by doing this It would make for a better portrait.

                                                                          Worst-

I like this image as it's bright and crisp, I like how the subject is in focus and parts of the background are. In this image I asked my subject Alex to stay still as he was already standing there, I wanted to shoot him where he was standing because it looked like a very natural shot, with a great backdrop including many major lines and depth of field in the shot. When taking the image I thought by the way that he was standing it would make for an image with a good depth of field and only subject in focus with the backdrop at a blur, however I think by not using manual focus and because of how the backdrop is a main leading line throughout the picture, parts are more in focus than others, so in the future I think I need to make sure that the backdrop is far away and horizontally facing the back of the subject instead of throughout the image, on that other hand it does give an interesting effect, with different points of focus. 

Progression- 

Location portraiture is something that I would definitely like to encompass and use in my project, as my project is based on documentary style, portraiture is a means in documenting the life of people and doing it in a setting which can represent them is a great way of exploring the person. Location portraiture is also a lot like street photography; something that I also want to explore in my project as the urban environment is a brat place to find people and places for portraits.

Location Portraiture Contact Sheet


Location Portraiture Straight Images
















Location Portraiture Technique Post

    Location Portraiture 
  • Shallow or narrow depth of field for portraiture photography. 
  • F5.6, aperture as to allow light.
  • Manual focus, testing focus by seeing if the eyes of the subject are in focus.
  • ISO 200-400.
  • 1/200 Shutter speed.
Rules 
  • F stop 2.8, 4, 5.6, 8, 11, 16, 22, 32, 64 (the higher makes double amount of light)
  • (high depth of field low F stop)
  • 1/30s 1/60s (halving the amount of light)
  • 30", 15", 8", 4", 2", 1", 1/2, 1/4, 1/8, 1/15, 1/30, 1/60, 1/125, 1/250, 1/500 (main shutter speeds)

Large aperture   =  low f.stop   = narrow depth of field.

Small aperture  = high f.stop   = wide depth of field 

Image result for location portraiture


Monday, 5 September 2016

Focal Length Work Diary

Worst-









The above images are my first set of focal length images, they are all quite inconsistent, the majority of the shoot is dark looking and almost distorted, and then there are some shots which are really bright and unmatching. The difference in shots in terms of size of subject doesn't look that drastic, I measured the difference in each shot by stepping a round a foot closer to the subject each time, this obviously is a factor why light would change throughout shoot, and inconsistence in change of size in each shot.

Favourite-












This shoot is a lot better and a lot more consistent than the last, these factors are controlled by the fact I changed the focal length for each shot instead of actually moving the camera, therefore I haven't lost the frame or 180 degree angle of the shot. All the light and change in size is consistent throughout. I used a tripod for both shoots, I increased shutter speed to 1/125 and the F stop, helping to capture the image with more clarity and speed, also the images have a really glowing light, illuminating the whole composition.